“Watson’s debut novel unwinds as a story that is both complicated and compellingly hypnotic. . . . Watson’s pitch–perfect writing propels the story to a frenzied climax that will haunt readers long after they’ve closed the cover on this remarkable book.” (Kirkus Reviews (starred review) )
“A deeply unsettling debut that asks the most terrifying question—what do you have left when you lose yourself?” (Val McDermid )
“This mesmerizing, skillfully written debut novel works on multiple levels. It is both an affecting portrait of the profound impact of a debilitating illness and a pulse-pounding thriller whose outcome no one could predict.” (Booklist (starred review) )
“An intriguingly fresh look at the amnesia-focused psychological thriller. . . . A captivating and highly suspenseful read, populated with believable characters who lead the reader through a taut, well-constructed plot.” (Library Journal )
“Brilliant in its pacing, profound in its central question, suspenseful on every page and satisfying in its thriller ending.” (Anita Shreve )
“A truly amazing debut. The central character, Christine, is beautifully drawn. It’s hard to imagine a more compelling, believable and sympathetic portrayal of a damaged human being. I loved it from start to finish.” (Mo Hayder, international bestselling author of Birdman )
“Combining the psychological screw-tightening of Patricia Highsmith with the high concept of Memento, S.J. Watson’s BEFORE I GO TO SLEEP is an amnesia thriller you won’t soon forget.” (Andrew Pyper, author of Lost Girls and The Guardians )
“A deft, perceptive exploration of a fascinating neurological condition, and a cracking good thriller.” (Lionel Shriver )
"As I sleep, my mind will erase everything I did today. I will wake up tomorrow as I did this morning. Thinking I’m still a child. Thinking I have a whole lifetime of choice ahead of me. . . ."
Memories define us.
So what if you lost yours every time you went to sleep?
Your name, your identity, your past, even the people you love—all forgotten overnight.
And the one person you trust may be telling you only half the story.
Welcome to Christine's life.
"Things can be just like they were before," said Caroline warmly, reaching out to squeeze Bonnie's hand.
But it wasn't true. Nothing could ever be the way it had been before Elena died. Nothing. And Bonnie had serious misgivings about this party Caroline was trying to set up. A vague nagging in the pit of her stomach told her that for some reason it was a very, very bad idea.
"Meredith's birthday is already over," she pointed out. "It was last Saturday."
"But she didn't have a party, not a real party like this one. We've got all night; my parents won't be back until Sunday morning. Come on, Bonnie -- just think how surprised she'll be."
Oh, she'll be surprised, all right, thought Bonnie. So surprised she just might kill me afterward. "Look, Caroline, the reason Meredith didn't have a big party is that she still doesn't feel much like celebrating. It seems -- disrespectful, somehow--"
"But that's wrong. Elena would want us to have a good time, you know she would. She loved parties. And she'd hate to see us sitting around and crying over her six months after she's gone." Caroline leaned forward, her normally feline green eyes earnest and compelling. There was no artifice in them now, none of Caroline's usual nasty manipulation. Bonnie could tell she really meant it.
"I want us to be friends again the way we used to be," Caroline said. "We always used to celebrate our birthdays together, just the four of us, remember? And remember how the guys would always try to crash our parties? I wonder if they'll try this year."
Bonnie felt control of the situation slipping away from her. This is a bad idea, this is a very bad idea, she thought. But Caroline was going on, looking dreamy and almost romantic as she talked about the good old days. Bonnie didn't have the heart to tell her that the good old days were as dead as disco.
"But there aren't even four of us anymore. Three doesn't make much of a party," she protested feebly when she could get a word in.
"I'm going to invite Sue Carson, too. Meredith gets along with her, doesn't she?"
Bonnie had to admit Meredith did; everyone got along with Sue. But even so, Caroline had to understand that things couldn't be the way they had been before. You couldn't just substitute Sue Carson for Elena and say, There, everything is fixed now.
But how do I explain that to Caroline? Bonnie thought. Suddenly she knew.
"Let's invite Vickie Bennett," she said.
Caroline stared. "Vickie Bennett? You must be joking. Invite that bizarre little drip who undressed in front of half the school? After everything that happened?"
"Because of everything that happened," said Bonnie firmly. "Look, I know she was never in our crowd. But she's not in with the fast crowd anymore; they don't want her and she's scared to death of them. She needs friends. We need people. Let's invite her."
For a moment Caroline looked helplessly frustrated. Bonnie thrust her chin out, put her hands on her hips, and waited. Finally Caroline sighed.
"All right; you win. I'll invite her. But you have to take care of getting Meredith to my house Saturday night. And Bonnie -- make sure she doesn't have any idea what's going on. I really want this to be a surprise."
"Oh, it will be," Bonnie said grimly. She was unprepared for the sudden light in Caroline's face or the impulsive warmth of Caroline's hug.
"I'm so glad you're seeing things my way," Caroline said. "And it'll be so good for us all to be together again."
She doesn't understand a thing, Bonnie realized, dazed, as Caroline walked off. What do I have to do to explain to her? Sock her?
And then: Oh, God, now I have to tell Meredith.
But by the end of the day she decided that maybe Meredith didn't need to be told. Caroline wanted Meredith surprised; well, maybe Bonnie should deliver Meredith surprised. That way at least Meredith wouldn't have to worry about it beforehand. Yes, Bonnie concluded, it was probably kindest to not tell Meredith anything.
And who knows, she wrote in her journal Friday night. Maybe I'm being too hard on Caroline. Maybe she's really sorry about all the things she did to us, like trying to humiliate Elena in front of the whole town and trying to get Stefan put away for murder. Maybe Caroline's matured since then and learned to think about somebody besides herself. Maybe we'll actually have a good time at her party .
And maybe aliens will kidnap me before tomorrow afternoon, she thought as she closed the diary. She could only hope.
The diary was an inexpensive drugstore blank book, with a pattern of tiny flowers on the cover. She'd only started keeping it since Elena had died, but she'd already become slightly addicted to it. It was the one place she could say anything she wanted without people looking shocked and saying, "Bonnie McCullough!" or "Oh, Bonnie."
She was still thinking about Elena as she turned off the light and crawled under the covers.
She was sitting on lush, manicured grass that spread as far as she could see in all directions. The sky was a flawless blue, the air was warm and scented. Birds were singing.
"I'm so glad you could come," Elena said.
"Oh -- yes," said Bonnie. "Well, naturally, so am I. Of course." She looked around again, then hastily back at Elena.
"More tea?"
There was a teacup in Bonnie's hand, thin and fragile as eggshell. "Oh-sure. Thanks."
Elena was wearing an eighteenth-century dress of gauzy white muslin, which clung to her, showing how slender she was. She poured the tea precisely, without spilling a drop...
SUMMARY:The Final Conflict...The Last Deadly Kiss Elena Now she rises from the dead to recreate the powerful vampire trio. Stefan Summoned by Elena, he keeps a promise to her and fights the most terrifying evil he's ever faced. Damon Joining the brother he once called enemy, Damon battles this new horror with strength, cunning, and deadly charm.
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Review
“Watson’s debut novel unwinds as a story that is both complicated and compellingly hypnotic. . . . Watson’s pitch–perfect writing propels the story to a frenzied climax that will haunt readers long after they’ve closed the cover on this remarkable book.” (Kirkus Reviews (starred review) )
“A deeply unsettling debut that asks the most terrifying question—what do you have left when you lose yourself?” (Val McDermid )
“This mesmerizing, skillfully written debut novel works on multiple levels. It is both an affecting portrait of the profound impact of a debilitating illness and a pulse-pounding thriller whose outcome no one could predict.” (Booklist (starred review) )
“An intriguingly fresh look at the amnesia-focused psychological thriller. . . . A captivating and highly suspenseful read, populated with believable characters who lead the reader through a taut, well-constructed plot.” (Library Journal )
“Brilliant in its pacing, profound in its central question, suspenseful on every page and satisfying in its thriller ending.” (Anita Shreve )
“A truly amazing debut. The central character, Christine, is beautifully drawn. It’s hard to imagine a more compelling, believable and sympathetic portrayal of a damaged human being. I loved it from start to finish.” (Mo Hayder, international bestselling author of Birdman )
“Combining the psychological screw-tightening of Patricia Highsmith with the high concept of Memento, S.J. Watson’s BEFORE I GO TO SLEEP is an amnesia thriller you won’t soon forget.” (Andrew Pyper, author of Lost Girls and The Guardians )
“A deft, perceptive exploration of a fascinating neurological condition, and a cracking good thriller.” (Lionel Shriver )
Product Description
"As I sleep, my mind will erase everything I did today. I will wake up tomorrow as I did this morning. Thinking I’m still a child. Thinking I have a whole lifetime of choice ahead of me. . . ."
Memories define us.
So what if you lost yours every time you went to sleep?
Your name, your identity, your past, even the people you love—all forgotten overnight.
And the one person you trust may be telling you only half the story.
Welcome to Christine's life.