The extraordinary new novel by the #1 New York Times–bestselling author of The Collector.Shelby Foxworth lost her husband. Then she lost her illusions …The man who took her from Tennessee to an exclusive Philadelphia suburb left her in crippling debt. He was an adulterer and a liar, and when Shelby tracks down his safe-deposit box, she finds multiple IDs. The man she loved wasn’t just dead. He never really existed.Shelby takes her three-year-old daughter and heads south to seek comfort in her hometown, where she meets someone new: Griff Lott, a successful contractor. But her husband had secrets she has yet to discover. Even in this small town, surrounded by loved ones, danger is closer than she knows—and threatens Griff, as well. And an attempted murder is only the beginning …
**
EDITORIAL REVIEW: Here is the second volume in GEORGE R. R. MARTIN’S magnificent cycle of novels that includes **A Game of Thrones** and **A Storm of Swords**. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, GEORGE R. R. MARTIN’S stunning series is destined to stand as one of the great achievements of imaginative fiction.**A CLASH OF KINGS**A comet the color of blood and flame cuts across the sky. Two great leaders—Lord Eddard Stark and Robert Baratheon—who hold sway over an age of enforced peace are dead, victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns. Six factions struggle for control of a divided land and the Iron Throne of the Seven Kingdoms, preparing to stake their claims through tempest, turmoil, and war. It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles.
SUMMARY: Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South -- and the heroism of one man in the face of blind and violent hatred One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis of an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father -- a crusading local lawyer -- risks everything to defend a black man unjustly accused of a terrible crime.
In the spirit of The Guernsey Literary and Potato Peel Pie Society and The Unlikely Pilgrimage of Harold Fry, Gabrielle Zevin's enchanting novel is a love letter to the world of books -- and booksellers -- that changes our lives by giving us the stories that open our hearts and enlighten our minds.
On the faded Island Books sign hanging over the porch of the Victorian cottage is the motto "No Man Is an Island; Every Book Is a World." A. J. Fikry, the irascible owner, is about to discover just what that truly means.
A. J. Fikry's life is not at all what he expected it to be. His wife has died, his bookstore is experiencing the worst sales in its history, and now his prized possession, a rare collection of Poe poems, has been stolen. Slowly but surely, he is isolating himself from all the people of Alice Island--from Lambiase, the well-intentioned police officer who's always felt kindly toward Fikry; from Ismay, his sister-in-law who is hell-bent on saving him from his dreary self; from Amelia, the lovely and idealistic (if eccentric) Knightley Press sales rep who keeps on taking the ferry over to Alice Island, refusing to be deterred by A.J.'s bad attitude. Even the books in his store have stopped holding pleasure for him. These days, A.J. can only see them as a sign of a world that is changing too rapidly.
And then a mysterious package appears at the bookstore. It's a small package, but large in weight. It's that unexpected arrival that gives A. J. Fikry the opportunity to make his life over, the ability to see everything anew. It doesn't take long for the locals to notice the change overcoming A.J.; or for that determined sales rep, Amelia, to see her curmudgeonly client in a new light; or for the wisdom of all those books to become again the lifeblood of A.J.'s world; or for everything to twist again into a version of his life that he didn't see coming.
As surprising as it is moving, The Storied Life of A. J. Fikry is an unforgettable tale of transformation and second chances, an irresistible affirmation of why we read, and why we love.
EDITORIAL REVIEW: The Roses met at an auction on Cape Cod. Oliver had just bought a Staffordshire figurine-one of a pair-but Barbara outbid him for its mate. The figurines belonged together, and so did the Roses. Now the two objets d'art sat together on a shelf in the Roses' home-symbols of the passion their owners shared. A passion that united them and now was about to tear them apart . Sharing, for Oliver and Barbara Rose, was a way of life. Living in the mansion they had restored together, with the antiques they had collected together, their rare wines, their orchids, and their children-all the beautiful things they owned-they were happy. Their latest project had been the kitchen, which was to be the core of Barbara's new-found career as a caterer of gourmet foods. Though Oliver was a busy and successful attorney, he had shared all the planning chores with her. The tripping point occurred when Oliver collapsed with what seemed to be a heart attack, and Barbara, as he had expected, did not rush to his side. Her indifference to his fate was both galling and an eye-opener about the truth of their marriage, a truth based more on materialism than mutual sharing and love. The War of the Roses is a timeless novel. Yet, this is a story uniquely of our own time, where more and more people measure their happiness and success in terms of the things they possess. This is the book that inspired one of the most famous movies about divorce ever produced. Shown somewhere in the world every week, the movie is an excellent adaptation of the book that has been translated in almost every language on the planet. The impact of both the book and the movie have made them both classics and brought the title The War of the Roses into the accepted jargon of divorce, describing the terrible hatred and cruelty engendered in the process. A Major Motion Picture starring Michael Douglas and Kathleen Turner released by Twentieth Century Fox.
"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."
The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.
The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber
Noted artist Hague provides 48 dazzling paintings for this first-ever version of the timeless fantasy classic. All ages. Copyright 1989 Reed Business Information, Inc.
The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by Alexandre Dumas, père. It is often considered, along with The Three Musketeers, as Dumas' most popular work. It is also among the highest selling books of all time. The writing of the work was completed in 1844. Like many of his novels, it is expanded from the plot outlines suggested by his collaborating ghostwriter Auguste Maquet. The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of 1815–1838 (from just before the Hundred Days through the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, forgiveness and death, and is told in the style of an adventure story.
Alice Walker’s masterpiece, a powerful novel of courage in the face of oppression Celie has grown up in rural Georgia, navigating a childhood of ceaseless abuse. Not only is she poor and despised by the society around her, she’s badly treated by her family. As a teenager she begins writing letters directly to God in an attempt to transcend a life that often seems too much to bear. Her letters span twenty years and record a journey of self-discovery and empowerment through the guiding light of a few strong women and her own implacable will to find harmony with herself and her home.The Color Purple’s deeply inspirational narrative, coupled with Walker’s prodigious talent as a stylist and storyteller, have made the novel a contemporary classic of American letters. This ebook features a new introduction written by the author on the twenty-fifth anniversary of publication, and an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
EDITORIAL REVIEW: The story that never grows old... *Lord of the Flies* remains as provocative today as when it was first published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's *The Catcher in the Rye* in its influence on modern thought and literature. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse,*Lord of the Flies* has established itself as a true classic. And now readers can own it in a beautifully designed hardcover edition worthy of its stature. This Christmas' meaningful gift, the 50th Anniversary Edition of the *Lord of the Flies* is the volume that every fan of this classic book will have to own.
All three parts of the epic masterpiece The Lord of the Rings – The Fellowship of the Ring, The Two Towers & The Return of the King – available as one download, featuring the definitive edition of the text, hyperlinked footnotes and page references, and 3 maps including a detailed map of Middle-earth.
Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins.
In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as the Ring is entrusted to his care. He must leave his home and make a perilous journey across the realms of Middle-earth to the Crack of Doom, deep inside the territories of the Dark Lord. There he must destroy the Ring forever and foil the Dark Lord in his evil purpose.
Since it was first published in 1954, ‘The Lord of the Rings’ has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike.
This is a single-volume edition of J.R.R. Tolkien's Lord of the Rings trilogy, in which the hobbit Frodo and his elfish friends get swept up in a mighty conflict with the dark lord Sauron (who owes much to proud Satan in Paradise Lost), the monstrous Gollum, the Cracks of Doom, and the awful power of the magical Ring. The book's characters--good and evil--are recognizably human, and the realism is deepened by the magnificent detail of the vast parallel world Tolkien devised, inspired partly by his influential Anglo-Saxon scholarship and his Christian beliefs. (He disapproved of the relative sparseness of detail in the comparable allegorical fantasy his friend C.S. Lewis dreamed up in the Chronicles of Narnia, though he knew Lewis had spun a page-turning yarn.) It has been estimated that one-tenth of all paperbacks sold can trace their ancestry to J.R.R. Tolkien. But even if we had never gotten Robert Jordan's The Path of Daggers and the whole fantasy genre Tolkien inadvertently created by bringing the hobbits so richly to life, Tolkien's epic about the Ring would have left our world enhanced by enchantment. --Tim Appelo
Originally broadcast in 1981 on BBC Radio, this full-cast adaptation of Tolkien's epic trilogy is justifiably regarded as a classic; unfortunately, in 2008, it faces inevitable comparison with Peter Jackson's films. While Jackson had stunning visuals, purists may find this simpler adaptation more to their taste. The radio version remains, in some ways, more faithful to the original trilogy. The extensive cuts to the narrative mean that much of Tolkien's poetic description and a degree of emotional resonance are lost, but narrator Gerard Murphy gives what remains the appropriate gravity. Most of the dialogue is pure Tolkien, and the fine cast does it justice. Ian Holm (who appeared as Bilbo in the films) offers a mature, nuanced portrayal of Frodo that is far truer to the text than Elijah Wood's wide-eyed innocent approach. (On the other hand, Sean Astin's accent and inflections as Sam are so similar to the audiobook's Bill Nighy's, one might suspect that Astin studied this recording before filming.) The 12th CD is devoted to a selection of songs from the books, set to original music. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
"That rarest of beasts: the perfect thriller. This extraordinary novel set my blood fizzing—I quite literally couldn’t put it down. I told myself I'd just dip in; eleven hours later—it's now 5:47 a.m.—I've finished it, absolutely dazzled." —A. J. Finn, #1 New York Times bestselling author of *The Woman in the Window*
Promising to be the debut novel of the season The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive…
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
"Superb... This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field." ―Publisher's Weekly, starred review
“The Silent Patient sneaks up on you like a slash of intimidating shadow on a badly lit street. Alex Michaelides has crafted a totally original, spellbinding psychological mystery so quirky, so unique that it should have its own genre. I read it in two nights and savored every luscious word, every grim encounter, every startling twist. The pages will burn with the friction from your hands turning them.” ―David Baldacci
“Smart, sophisticated storytelling freighted with real suspense―a very fine novel by any standard.” ―Lee Child
"One of the most spellbinding psychological thrillers we’ve read in years. Beautifully written, exquisitely plotted, the story relentlessly pulls you in and doesn’t let you go until the last shocking (and yet brutally logical) twist. This is an absolutely fantastic and extraordinary read." ―Douglas Preston and Lincoln Child, #1 New York Times bestselling authors of the Pendergast series
“Alex Michaelides has written one of the best psychological thrillers I have ever read. The Silent Patient is a swarming, paranoid nightmare of a novel with an ending that is destined to go down as one of the most shocking, mind-blowing twists in recent memory.” ―Blake Crouch, New York Times bestselling author of *Dark Matter*
"This is a wonderful new voice. Listen to it. It's about to tell you a thrilling and scary story. The Silent Patient paints a picture, crawling into your soul in the very best way. Take a chance." ―Brad Meltzer, author of *The Escape Artist*
"Dark, edgy, and compulsively readable." ―*Library Journal*
"The Silent Patient isn't quiet at all. It loudly announces that Alex Michaelides is a new talent in the field of psychological thrillers." ―*Shelf Awareness*
"Unputdownable, emotionally chilling, and intense, with a twist that will make even the most seasoned suspense reader break out in a cold sweat." ―*Booklist*
Alex Michaelides was born in Cyprus in 1977 to a Greek-Cypriot father and an English mother. He studied English literature at Cambridge University and got his MA in screenwriting at the American Film Institute in Los Angeles. The Silent Patient is his first novel.
Wanting to understand the most fundamental questions of the universe isn't the province of ivory-tower intellectuals alone, as this book's enormous popularity has demonstrated. A young girl, Sophie, becomes embroiled in a discussion of philosophy with a faceless correspondent. At the same time, she must unravel a mystery involving another young girl, Hilde, by using everything she's learning. The truth is far more complicated than she could ever have imagined.
This long, dense novel, a bestseller in the author's native Norway, offers a summary history of philosophy embedded in a philosophical mystery disguised as a children's book--but only sophisticated young adults would be remotely interested. Sophie Amundsen is about to turn 15 when she receives a letter from one Alberto Knox, a philosopher who undertakes to educate her in his craft. Sections in which we read the text of Knox's lessons to Sophie about the pre-Socratics, Plato and St. Augustine alternate with those in which we find out about Sophie's life with her well-meaning mother. Soon, though, Sophie begins receiving other, stranger missives addressed to one Hilde Moller Knag from her absent father, Albert. [...] Norwegian philosophy professor Gaarder's notion of making a history of philosophy accessible is a good one. Unfortunately, it's occasionally undermined by the dry language he uses to describe the works of various thinkers and by an idiosyncratic bias that gives one paragraph to Nietzsche but dozens to Sartre, breezing right by Wittgenstein and the most influential philosophy of this century, logical positivism. Many readers, regardless of their age, may be tempted to skip over the lessons, which aren't well integrated with the more interesting and unusual metafictional story line. Author tour. Copyright 1994 Reed Business Information, Inc.
SUMMARY: It's 1988 and Dexter Mayhew and Emma Morley have only just met. They both know that the next day, after college graduation, they must go their separate ways. But after only one day together, they cannot stop thinking about one another. As the years go by, Dex and Em begin to lead separate lives—lives very different from the people they once dreamed they'd become. And yet, unable to let go of that special something that grabbed onto them that first night, an extraordinary relationship develops between the two. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.
Starred Review. Hugo-winner Simmons (_Olympos_) brings the horrific trials and tribulations of arctic exploration vividly to life in this beautifully written historical, which injects a note of supernatural horror into the 1840s Franklin expedition and its doomed search for the Northwest Passage. Sir John Franklin, the leader of the expedition and captain of the Erebus, is an aging fool. Francis Crozier, his second in command and captain of the Terror, is a competent sailor, but embittered after years of seeing lesser men with better connections given preferment over him. With their two ships quickly trapped in pack ice, their voyage is a disaster from start to finish. Some men perish from disease, others from the cold, still others from botulism traced to tinned food purchased from the lowest bidder. Madness, mutiny and cannibalism follow. And then there's the monstrous creature from the ice, the thing like a polar bear but many times larger, possessed of a dark and vicious intelligence. This complex tale should find many devoted readers and add significantly to Simmons's already considerable reputation. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The prolific and versatile Simmons turns to historical fiction in this fine narrative of the lost Franklin expedition of the 1840s, in which nearly 200 men sailed in search of the Northwest Passage aboard two converted naval vessels, Erebus and Terror. They seemingly sailed off the face of the earth, until remains of the longest survivors among them were discovered many years later. Simmons makes the Terror's Captain Crozier his protagonist, and through his eyes we see history infused with sf, fantasy, and horror elements: sf because the expedition went farther into the then unknown than did the Apollo astronauts; fantasy because the hardships of the grippingly described arctic environment played havoc with their minds; and horror because the men perished in ones and twos, in dozens and scores, from boat accidents, falls, scurvy, hypothermia, exposure, starvation, and parasitic infections. Crozier survives by taking refuge among the Inuit and covering the expedition's nightmarish trail by burning his ship and vanishing from civilization, by which time readers may be as emotionally drained as he. Outstanding. Roland GreenCopyright © American Library Association. All rights reserved
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old "human error" are much more likely to kill him first. But Mark isn't ready to give up yet. Drawing on his ingenuity, his engineering skills--and a relentless, dogged refusal to quit--he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?
Starred Review. Grade 9 Up–Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative._–Francisca Goldsmith, Berkeley Public Library, CA_ Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Zusak, author of I Am the Messenger,__took a risk with his second book by making Death an omniscient narrator—and it largely paid off. Originally published in Australia and marketed for ages 12 and up, The Book Thief will appeal both to sophisticated teens and adults with its engaging characters and heartbreaking story. The Philadelphia Inquirer compared the book's power to that of a graphic novel, with its "bold blocks of action." If Zusak's postmodern insertions (Death's commentary, for example) didn't please everyone, the only serious criticism came from Janet Maslin, who faulted the book's "Vonnegut whimsy" and Lemony Snicket-like manipulation. Yet even she admitted that The Book Thief "will be widely read and admired because it tells a story in which books become treasures." And, as we all know, "there's no arguing with a sentiment like that."[HTML_REMOVED]Copyright © 2004 Phillips & Nelson Media, Inc.
本站基于Calibre构建,感谢开源界的力量。所有资源搜集于互联网,如有侵权请邮件联系。
Github | Docker | Project
The extraordinary new novel by the #1 New York Times–bestselling author of The Collector.
Shelby Foxworth lost her husband. Then she lost her illusions …
The man who took her from Tennessee to an exclusive Philadelphia suburb left her in crippling debt. He was an adulterer and a liar, and when Shelby tracks down his safe-deposit box, she finds multiple IDs. The man she loved wasn’t just dead. He never really existed.
Shelby takes her three-year-old daughter and heads south to seek comfort in her hometown, where she meets someone new: Griff Lott, a successful contractor. But her husband had secrets she has yet to discover. Even in this small town, surrounded by loved ones, danger is closer than she knows—and threatens Griff, as well. And an attempted murder is only the beginning …
**